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Yes, yes I have. And when he came it was nothing but a sham. She talked about poisoning herself and threatened to turn on the gas and blow the whole building up.

God preserve us [15]. Is that what your life is like in there? Men dessemellan är hon som en fridens ängel — ja, ni skulle bara se när hon leker med sitt barn, eller sitter och syr julklappar, som hon gör just nu!

I should think she must be ill. Det är snällt sagt av Ellen, och jag skulle vilja kalla henne sjuk! De har det för gott, det är hela sjukan; mannen gör ingenting, emedan han är rik!

As you say, they have it too good. Entering from the right, talking softly What are you doing here, Ellen? Frun är alldeles utom sig, för att hennes ring har kommit bort.

The one with the blue stone that cost crowns [18] — and when she missed it, she immediately thought —.

Jag vet väl att Ellen är oskyldig — när man känner en människa, kan man säga utantill: Getting up You girls will have a nice Christmas, after the testing — after the rain, the sun always returns — and so it will be here too.

Jo, men är icke utlärd än! God jul, mina barn! It goes a long way. Come in now, but be calm and patient when the storm breaks.

So I can bear it [21]. Now a Christmas card from me. Searching through a bundle of cards Alpine rose? A beautiful flower but thorny [25].

Turning off the flashlight and listening toward the right Ellen is accused of stealing a ring. Ellen, take a ring! Now Ebba could have. I know everyone here in the house.

All the fine folks and all the serving girls. Looks in the icebox, rummaging around Yes, that will do. Blomman är vacker, men den sticks!

Nu ska vi höra vad de säger i köket! Ellen tar ingen ring! Ebba skulle ha gjort det! Jag känner alla här i huset! Dressed all in white with snowstars [27] in her hair.

And all manner of language. No, dear child, is this the peace of Christmas? And the wine of wrath shall be pressed from sour grapes, [31].

But you can pull their hair, you have strong hands [32] …. Now the clouds are gathering. He ruminates over the mystery of life — [33]. Searches for the mystery of life.

It smells like a pine forest in May when braxen [36] jump on the lakes —. Turning a switch on the wall — darkness [37].

ELLEN enters with a lighted candle. ELLEN cries in the entry hall and goes out. FRUN ringer i en liten klocka. Ellen in med ett tänt ljus.

There is a noise from the icebox as if a block of ice has fallen. There is a pounding in the wall; the elevator grumbles, the water pipes rattle; the murmur of voices can be heard through the wall.

Frun lyssnar, och gripes av fruktan. Det bultar i en vägg; hissen gnäller, vattenledningen brusar; mänskoröster sorla genom bäggen.

Entering with a yule sheaf [46] under his arm Hello again, my friend. As a man from the country, from Bergslagen [47] ,.

Hidden in the cellars of the Tower of Babel. By the shadow of the elevator passing by like a storm cloud. You sit here like the Old Man of the Mountain, [49].

You give me too much credit, good doctor [50] ,. And this is Christmas? Gathering up his tools My hammer, my pliers.

Taking some keys from the board So I can go through locked doors —. Är det jul deta? Ni är de värsta jag har i huset — men nu ska vi först skaffa ljus — tar fram verktyg.

I think the heating has gone out too. I got frightened, heard a child scream, and there was playing in the walls.

Nothing to do, no appetite, no wish to sleep. Their only worry is what to do with their money. Men det är som konservatorn säger: Ingenting att göra, ingen matlust, ingen sömn; enda bekymret är att göra av med pengarne.

She got mad at me because I asked her not to stand there in the elevator — yes I suppose I said it a bit sharply of course, because I was in a hurry.

Quiet, I hear Kristin on the stairs. Tyst, jag hör Kristin i trappan! They must have inherited it. Something else must have happened up there on the ghost-floor [57].

De ha väl ärvt — tyst nu är hon här! For so many strange things happen here. Some devil must have mixed up these keys. Jag tror att fan har blandat om nycklarne — Här sitter Och alltid talas det i trapporna!

Who is he really? Nu blir jag rädd! Yes, the Conservator found it, and I was supposed to look after it, but I seem to have lost it.

Hon tar inga ringar! Hon tar ingenting — Det är orättvist! Go now in peace. Perhaps you can find their owner — — — Did you get your Christmas gift from me?

Se, vad jag hittat i hissen! Nor I as rich. No way to tell. I put it here on the table. Men var är handsken? Letar Den är borta!

I would have seen. I would have heard. Det är inte möjligt; jag skulle sett det! Jag finns ju här för att vaka över huset och husfolket!

You know nothing about it? Even for the likes of her. Han vet ingenting om det! Hon satt däroppe utan ljus och värme — — — Det är för grymt!

What is all this? Not the work of man, for sure. It must be her, the poor little mother. Och därför finns det hopp! Hon själv den stackars lilla modren!

O dear Jesus, savior of the world, save me. O Herre Jesus världens frälsare fräls mig! Your child will return again. Say it over and over again.

Han kan tala — jag kan inte tala — och han skall trösta er —. And children leave their beds — — — [70]. His hair and beard are long.

But it got buried, and has since disappeared. The pile has grown into a haystack [76] ,. The neighbors are starting to play.

Alfa, beta, pi; och chiffern som jag funnit opp — Den har jag glömt — den är försvunnen ur mitt minne —.

Nu börjar grannen spela! Jag äter intet — fordrar ingen sömn! Han blundar; musiken fortfar. But tires almost immediately and returns to the chair.

He attacks again but is repelled. He sleeps in the chair as if dead. Nu somnar han i stolen och liknar en död. And sixty years — Getting up, angrily, he throws the papers into the wings to the left.

But then it burst and I sank. Am I to blame for that? Leave that box alone. And the lilac spires sway in the westerly wind, [89]. An Empire mirror in a gilded carved frame [91] —.

And fresh pike squirming on the hook — [92]. But I can see no more, my eyes shroud over. Since things grow well in ashes: But wish you first a Yule most merry [96].

A gauntlet thrown in peace not battle. How shall we find happiness in this house of sorrow? Entering, dressed in a black pelisse and wearing a black veil, from which she tears off pieces and hangs them on objects in the room []: Who will I make the bed for?

My little life is dead? I remember the last evening after supperWhen you got crumbs in your bed and I had to remake it;You said it was sand left by the sandman.

I used to mix fairytales and lullabies. And met Thumbelina [] , and the Blue Bird,. And Red Ridinghood and little Soliman [] ,.

Having tired of us and our squabbles? I so want to come along! All as if but never was;An art work, perhaps, but one badly done. Too much body, too little soul.

And how miserable that one could not be,Could not become, what one most wished to be. My little flowers are thirsty. Ja fick jag följa dig! Här var jag aldrig hemma -Det lovade alltjämt, men höll ej,Den liknade, men var ej,Ett konstverk, väl, men bara felFör mycket kropp, för litet själ,Och rent förtvivlat att man ej fick varaEj kunde bli den helst man ville vara!

But no one comes. Was I so wicked then? No one knowsWhat everyone knows — or everyone thinks they know! Everyone bowed to me and no one dared sayHow I ought to behave.

Yes, the mirror dared, but it was a bad friend —. Pause Hon ringer i en liten klocka. Ingen vetVad alla veta — tro sig veta!

And here, in the finger, is my ring! Now she will be revenged, and I will bear her punishment. And the last shall be worse than the first! Och här, i fingret, sitter ju min ring!

Someone slapped my cheek! A child breathing in its sleep —And now! What is he saying? An alarm bell rings! I must go myself and take my punishment.

Sweet Jesus, get up! These things happen; everything is so rackety. But when we searched in his papers, we found his true name — And ….

Nej, det är det inte! Men det är om en annan! And he died without seeing his child again. Has no one heard from him? In the dark and the cold. In this house of sorrow, this room of the dead.

Ellen, how did he die? I mörker, köld och torka; i sorgehus och likrum — stackars min man! He burned his papers and said it was all a pile of scrap — and it was he who found the ring.

Now I can die satisfied, having had the honor of making another happy. Come with me Ellen. Kom och följ mig Ellen!

Pointing to the crib Shhh! Tomten i högra Julens Ängel i vänstra kulissen. Let the feast of happiness come! Nu är det sagt, nu är det gjort!

I go and make everything ready for the final tableau! Oh God — One word — And there was light! There are no words for happiness, and happiness weeps.

Vad hänt, är sorgen avlagd? Och Herren gav igen! The TOMTE can be seen taking off his hat and throwing kisses to the mother and child from the right curtains.

For some background notes, this play was written in , coming from a previous project Strindberg had regarding a Christmas play Samlade Verk no.

This long gulf of time between the first four chamber plays and this one may be one of the reasons for its lack of inclusion in many discussions and criticisms of the chamber plays.

While it was excellent for preservation and preventing insects from damaging the taxidermied animals, it was also highly caustic and somewhat dangerous for the user.

Its use has largely fallen away in light of safer techniques for the preservation of animals. Electricity, as a new system in an old building, is much like the events of time on the Old Man; when new, little maintenance was needed, but as time has gone on, the system requires more and more upkeep.

The quality of the light is considerably lower than that of an electric lamp, hence his mention of the darkness in the cellar.

The sense of sight is pointed out here, especially with the contrast of light and darkness throughout the play.

Remember; he is a taxidermist, and taxidermists preserve animals. They would clean and assist the household, but were quite easy to offend.

More details from the poem will follow, as this may spoil some of the future text. In the original Tomte legends, the owner of a household which had a Tomte would be required to leave out a small offering of food on Christmas.

As he says, it is beautiful, but it has thorns and can be quite prickly. Look at the arrangement of the text, and look to the Swedish text on the facing page to at least see how he arranges his text.

Paul has done a wonderful job with these poetic sections. God, upon seeing their overconfidence, scatters them and confuses their language, to prevent this from happening again.

The theme of confusion of language is an interesting one in the context of the chamber plays; notice how often deception occurs and how clear communication makes things right again.

The mystery of the nearby apartments and the closed-off spaces is important to these plays; this is no doubt a continuation of those earlier themes.

The Old Man is clearly dedicated to a scientific world view, and this piece of furniture and his studies confirm it.

It is fairly common in Northern Europe. Light, which grants sight and truth, is the most important of the sensory cues used in this text.

It is easy to associate it with Christmas. Additionally, the section which is being played, which is in the third movement of the Sonata, is somewhat mournful, indicating pain and suffering, which serves as a handy foreshadowing.

Notice how Strindberg, with the absence of universal light in this scene, begins to use sound to accentuate and describe the action. The Funeral March, indicating the sadness and fear of loss that has just occurred, begins moments before the Child is stolen.

The light shining through it might be used to indicate the darkness that the Caretaker puts up with. Also, notice how Strindberg indicates the passing of the elevator; even the patterns of light and darkness serve to remind the Caretaker of his position in the household.

This echoes the role of the Caretaker; while he may not be especially modern or appreciated by the household, he is the one who can bring light and works reliably throughout the entire play.

It is traditional to hang some of these during Christmastime in Scandinavia. It is considered somewhat provincial, especially in contrast to an apartment building in the city.

It is a reference to Scandinavian folklore, mentioning a troll who lives in a mountain. As has been mentioned, Strindberg was keenly interested in class conflict and the exploitation of workers in his drama and fiction.

While shorter than the others that Strindberg makes use of in his chamber plays, it nonetheless important to the plot, allowing him to reveal the ongoing struggle between Ellen and the Young Wife.

Remember the Funeral March from earlier in the play. It actually rhymes much better in English than in Swedish. The Tomte, a figure of supernatural and mystical origin, seeks to change his views and accept some elements of mysticism.

This particular piece is a slow, mournful piece — a unifying factor of the music in these plays. The Old Man, a scientist to the core, wants to physically perceive the Tomte with all of his senses, to make sure he is not an illusion and thus truly exists in this world.

This was, after all, a matter of honor, which the Old Man in this play explicitly mentions. They were involved in the upkeep of the Temple.

This particular piece of music is lively, invoking the feelings of springtime spoken of by the Old Man. In this case, the sorrow of the Young Wife is the consuming emotion of the entire play.

It reflects and enhances the light, which is the warmth of a candle — symbolizing how the Young Wife is seeking to find her child and regain the warmth and light in the house.

Notice how the house is still dark, with the electric lights and modernity failing to illuminate the world, while older objects in this case, the candles , cast their light and heat.

It chastises the Young Wife, who seems like she may have not learned anything from the lessons it was attempting to teach her.

Again, communication is symbolized by letters, which are truthful and reveal secrets long past. Although the Young Wife knew, she did nothing about it.

By removing the secrets and ill will of the house, the Tomte has transformed a place of secrets into a perfect image of a happy home. Both found happiness with the return of their children and the re-evaluation of their lives.

He is also an avid amateur Swedish folk musician, playing both the säckpipa and the nyckelharpa. Required royalties must be paid every time this play is performed before any audience, whether or not is presented for profit and whether or not admission is charged.

To purchase acting editions of this play, to obtain stock and amateur performance rights, and for all other inquires, please contact: Abrams Artist Agency, Seventh Ave.

Morgan Jenness, literary ambramsartny.

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Det är som med elektriska här, det skall förnyas och repareras jämt och samt. Bad luck we have to sit in the dark on Christmas.

Det har visst blitt jordledning, men det kan snart vara hjälpt — Vi ska se till här. But down in the cellar I live in darkness. Sharp you could say!

Like the young wife! If only she were as good as she is beautiful! ELLEN enters from the right, opens the icebox and takes out a rack of milk bottles.

Oh, those two, they chirp together like canaries [12] — you can hear them all the way out here. None of us, including the caretaker, got anything extra for Christmas.

Yes, yes I have. And when he came it was nothing but a sham. She talked about poisoning herself and threatened to turn on the gas and blow the whole building up.

God preserve us [15]. Is that what your life is like in there? Men dessemellan är hon som en fridens ängel — ja, ni skulle bara se när hon leker med sitt barn, eller sitter och syr julklappar, som hon gör just nu!

I should think she must be ill. Det är snällt sagt av Ellen, och jag skulle vilja kalla henne sjuk!

De har det för gott, det är hela sjukan; mannen gör ingenting, emedan han är rik! As you say, they have it too good. Entering from the right, talking softly What are you doing here, Ellen?

Frun är alldeles utom sig, för att hennes ring har kommit bort. The one with the blue stone that cost crowns [18] — and when she missed it, she immediately thought —.

Jag vet väl att Ellen är oskyldig — när man känner en människa, kan man säga utantill: Getting up You girls will have a nice Christmas, after the testing — after the rain, the sun always returns — and so it will be here too.

Jo, men är icke utlärd än! God jul, mina barn! It goes a long way. Come in now, but be calm and patient when the storm breaks. So I can bear it [21].

Now a Christmas card from me. Searching through a bundle of cards Alpine rose? A beautiful flower but thorny [25]. Turning off the flashlight and listening toward the right Ellen is accused of stealing a ring.

Ellen, take a ring! Now Ebba could have. I know everyone here in the house. All the fine folks and all the serving girls.

Looks in the icebox, rummaging around Yes, that will do. Blomman är vacker, men den sticks! Nu ska vi höra vad de säger i köket! Ellen tar ingen ring!

Ebba skulle ha gjort det! Jag känner alla här i huset! Dressed all in white with snowstars [27] in her hair. And all manner of language. No, dear child, is this the peace of Christmas?

And the wine of wrath shall be pressed from sour grapes, [31]. But you can pull their hair, you have strong hands [32] …. Now the clouds are gathering.

He ruminates over the mystery of life — [33]. Searches for the mystery of life. It smells like a pine forest in May when braxen [36] jump on the lakes —.

Turning a switch on the wall — darkness [37]. ELLEN enters with a lighted candle. ELLEN cries in the entry hall and goes out. FRUN ringer i en liten klocka.

Ellen in med ett tänt ljus. There is a noise from the icebox as if a block of ice has fallen. There is a pounding in the wall; the elevator grumbles, the water pipes rattle; the murmur of voices can be heard through the wall.

Frun lyssnar, och gripes av fruktan. Det bultar i en vägg; hissen gnäller, vattenledningen brusar; mänskoröster sorla genom bäggen. Entering with a yule sheaf [46] under his arm Hello again, my friend.

As a man from the country, from Bergslagen [47] ,. Hidden in the cellars of the Tower of Babel. By the shadow of the elevator passing by like a storm cloud.

You sit here like the Old Man of the Mountain, [49]. You give me too much credit, good doctor [50] ,.

And this is Christmas? Gathering up his tools My hammer, my pliers. Taking some keys from the board So I can go through locked doors —.

Är det jul deta? Ni är de värsta jag har i huset — men nu ska vi först skaffa ljus — tar fram verktyg. I think the heating has gone out too.

I got frightened, heard a child scream, and there was playing in the walls. Nothing to do, no appetite, no wish to sleep. Their only worry is what to do with their money.

Men det är som konservatorn säger: Ingenting att göra, ingen matlust, ingen sömn; enda bekymret är att göra av med pengarne. She got mad at me because I asked her not to stand there in the elevator — yes I suppose I said it a bit sharply of course, because I was in a hurry.

Quiet, I hear Kristin on the stairs. Tyst, jag hör Kristin i trappan! They must have inherited it. Something else must have happened up there on the ghost-floor [57].

De ha väl ärvt — tyst nu är hon här! For so many strange things happen here. Some devil must have mixed up these keys.

Jag tror att fan har blandat om nycklarne — Här sitter Och alltid talas det i trapporna! Who is he really? Nu blir jag rädd! Yes, the Conservator found it, and I was supposed to look after it, but I seem to have lost it.

Hon tar inga ringar! Hon tar ingenting — Det är orättvist! Go now in peace. Perhaps you can find their owner — — — Did you get your Christmas gift from me?

Se, vad jag hittat i hissen! Nor I as rich. No way to tell. I put it here on the table. Men var är handsken? Letar Den är borta! I would have seen.

I would have heard. Det är inte möjligt; jag skulle sett det! Jag finns ju här för att vaka över huset och husfolket!

You know nothing about it? Even for the likes of her. Han vet ingenting om det! Hon satt däroppe utan ljus och värme — — — Det är för grymt!

What is all this? Not the work of man, for sure. It must be her, the poor little mother. Och därför finns det hopp! Hon själv den stackars lilla modren!

O dear Jesus, savior of the world, save me. O Herre Jesus världens frälsare fräls mig! Your child will return again. Say it over and over again.

Han kan tala — jag kan inte tala — och han skall trösta er —. And children leave their beds — — — [70]. His hair and beard are long. But it got buried, and has since disappeared.

The pile has grown into a haystack [76] ,. The neighbors are starting to play. Alfa, beta, pi; och chiffern som jag funnit opp — Den har jag glömt — den är försvunnen ur mitt minne —.

Nu börjar grannen spela! Jag äter intet — fordrar ingen sömn! Han blundar; musiken fortfar. But tires almost immediately and returns to the chair.

He attacks again but is repelled. He sleeps in the chair as if dead. Nu somnar han i stolen och liknar en död. And sixty years — Getting up, angrily, he throws the papers into the wings to the left.

But then it burst and I sank. Am I to blame for that? Leave that box alone. And the lilac spires sway in the westerly wind, [89]. An Empire mirror in a gilded carved frame [91] —.

And fresh pike squirming on the hook — [92]. But I can see no more, my eyes shroud over. Since things grow well in ashes: But wish you first a Yule most merry [96].

A gauntlet thrown in peace not battle. How shall we find happiness in this house of sorrow? Entering, dressed in a black pelisse and wearing a black veil, from which she tears off pieces and hangs them on objects in the room []: Who will I make the bed for?

My little life is dead? I remember the last evening after supperWhen you got crumbs in your bed and I had to remake it;You said it was sand left by the sandman.

I used to mix fairytales and lullabies. And met Thumbelina [] , and the Blue Bird,. And Red Ridinghood and little Soliman [] ,.

Having tired of us and our squabbles? I so want to come along! All as if but never was;An art work, perhaps, but one badly done.

Too much body, too little soul. And how miserable that one could not be,Could not become, what one most wished to be.

My little flowers are thirsty. Ja fick jag följa dig! Här var jag aldrig hemma -Det lovade alltjämt, men höll ej,Den liknade, men var ej,Ett konstverk, väl, men bara felFör mycket kropp, för litet själ,Och rent förtvivlat att man ej fick varaEj kunde bli den helst man ville vara!

But no one comes. Was I so wicked then? No one knowsWhat everyone knows — or everyone thinks they know! Everyone bowed to me and no one dared sayHow I ought to behave.

Yes, the mirror dared, but it was a bad friend —. Pause Hon ringer i en liten klocka. Ingen vetVad alla veta — tro sig veta!

And here, in the finger, is my ring! Now she will be revenged, and I will bear her punishment. And the last shall be worse than the first!

Och här, i fingret, sitter ju min ring! Someone slapped my cheek! A child breathing in its sleep —And now! What is he saying? An alarm bell rings!

I must go myself and take my punishment. Sweet Jesus, get up! These things happen; everything is so rackety. But when we searched in his papers, we found his true name — And ….

Nej, det är det inte! Men det är om en annan! And he died without seeing his child again. Has no one heard from him?

In the dark and the cold. In this house of sorrow, this room of the dead. Ellen, how did he die? I mörker, köld och torka; i sorgehus och likrum — stackars min man!

He burned his papers and said it was all a pile of scrap — and it was he who found the ring. Now I can die satisfied, having had the honor of making another happy.

Come with me Ellen. Kom och följ mig Ellen! Pointing to the crib Shhh! Tomten i högra Julens Ängel i vänstra kulissen.

Let the feast of happiness come! Nu är det sagt, nu är det gjort! I go and make everything ready for the final tableau!

Oh God — One word — And there was light! There are no words for happiness, and happiness weeps. Vad hänt, är sorgen avlagd? Och Herren gav igen!

The TOMTE can be seen taking off his hat and throwing kisses to the mother and child from the right curtains.

For some background notes, this play was written in , coming from a previous project Strindberg had regarding a Christmas play Samlade Verk no.

This long gulf of time between the first four chamber plays and this one may be one of the reasons for its lack of inclusion in many discussions and criticisms of the chamber plays.

While it was excellent for preservation and preventing insects from damaging the taxidermied animals, it was also highly caustic and somewhat dangerous for the user.

Its use has largely fallen away in light of safer techniques for the preservation of animals. Electricity, as a new system in an old building, is much like the events of time on the Old Man; when new, little maintenance was needed, but as time has gone on, the system requires more and more upkeep.

The quality of the light is considerably lower than that of an electric lamp, hence his mention of the darkness in the cellar.

The sense of sight is pointed out here, especially with the contrast of light and darkness throughout the play.

Remember; he is a taxidermist, and taxidermists preserve animals. They would clean and assist the household, but were quite easy to offend. More details from the poem will follow, as this may spoil some of the future text.

In the original Tomte legends, the owner of a household which had a Tomte would be required to leave out a small offering of food on Christmas.

As he says, it is beautiful, but it has thorns and can be quite prickly. Look at the arrangement of the text, and look to the Swedish text on the facing page to at least see how he arranges his text.

Paul has done a wonderful job with these poetic sections. God, upon seeing their overconfidence, scatters them and confuses their language, to prevent this from happening again.

The theme of confusion of language is an interesting one in the context of the chamber plays; notice how often deception occurs and how clear communication makes things right again.

The mystery of the nearby apartments and the closed-off spaces is important to these plays; this is no doubt a continuation of those earlier themes.

The Old Man is clearly dedicated to a scientific world view, and this piece of furniture and his studies confirm it.

It is fairly common in Northern Europe. Light, which grants sight and truth, is the most important of the sensory cues used in this text. It is easy to associate it with Christmas.

Additionally, the section which is being played, which is in the third movement of the Sonata, is somewhat mournful, indicating pain and suffering, which serves as a handy foreshadowing.

Notice how Strindberg, with the absence of universal light in this scene, begins to use sound to accentuate and describe the action.

The Funeral March, indicating the sadness and fear of loss that has just occurred, begins moments before the Child is stolen.

The light shining through it might be used to indicate the darkness that the Caretaker puts up with. Also, notice how Strindberg indicates the passing of the elevator; even the patterns of light and darkness serve to remind the Caretaker of his position in the household.

This echoes the role of the Caretaker; while he may not be especially modern or appreciated by the household, he is the one who can bring light and works reliably throughout the entire play.

It is traditional to hang some of these during Christmastime in Scandinavia. It is considered somewhat provincial, especially in contrast to an apartment building in the city.

It is a reference to Scandinavian folklore, mentioning a troll who lives in a mountain. As has been mentioned, Strindberg was keenly interested in class conflict and the exploitation of workers in his drama and fiction.

While shorter than the others that Strindberg makes use of in his chamber plays, it nonetheless important to the plot, allowing him to reveal the ongoing struggle between Ellen and the Young Wife.

Remember the Funeral March from earlier in the play. It actually rhymes much better in English than in Swedish.

The Tomte, a figure of supernatural and mystical origin, seeks to change his views and accept some elements of mysticism.

This particular piece is a slow, mournful piece — a unifying factor of the music in these plays. The Old Man, a scientist to the core, wants to physically perceive the Tomte with all of his senses, to make sure he is not an illusion and thus truly exists in this world.

This was, after all, a matter of honor, which the Old Man in this play explicitly mentions. They were involved in the upkeep of the Temple.

This particular piece of music is lively, invoking the feelings of springtime spoken of by the Old Man. In this case, the sorrow of the Young Wife is the consuming emotion of the entire play.

It reflects and enhances the light, which is the warmth of a candle — symbolizing how the Young Wife is seeking to find her child and regain the warmth and light in the house.

Notice how the house is still dark, with the electric lights and modernity failing to illuminate the world, while older objects in this case, the candles , cast their light and heat.

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